"Mariko Anno","Embodied Sound and the Transmission of Japanese Performing Arts","Society of Ethnomusicology Annual Meeting",,,,,,2021,Oct. "Mariko Anno","Expressive Freedom Within Set Patterns: The "Pulse" of Noh","Rhythm in Acting and Performance",,,,,,2021,Mar. "Mariko Anno","Piercing the Structure of Tradition: Flute Performance, Continuity, and Freedom in the Music of Noh Drama",,,"Cornell University Press",,,,2020,Oct. "Mariko Anno","A Dream Come True",,"Center for Japanese Studies Fall Newsletter","University of Michigan Center for Japanese Studies"," Fall",,"p. 14",2019,Sept. "Mariko Anno","A Momentous Performance of Blue Moon Over Memphis",,"Center for Japanese Studies Fall Newsletter","University of Michigan Center for Japanese Studies"," Fall",,"p. 10",2019,Sept. "Mariko Anno,R. Jackson","On the Art of Noh Drama: Aesthetics, Politics and Invention","Toyota Motor North America, Michigan",,,,,,2019, "Mariko Anno","Musical Instruments in Noh Drama: Role, Transmission, and Performance Practice in Traditional and Contemporary Noh","Virginia Martin Howard Stearns Lecture, University of Michigan",,,,,,2019, "Mariko Anno","Tradition and Innovation in English-language Noh, ”Blue Moon Over Memphis"","Center for Japanese Studies, Thursday Noon Lecture Series",,,,,,2018,Oct. "Mariko Anno","Keeping Traditions Alive: Japanese Performing Arts and Music in Postwar Chicago","The Japanese Association for Migration Studies",,,,,,2018,June "Mariko Anno","Pagoda and Musical Structure: Adhering To and Deviating From Tradition","Association for Theatre in Higher Education Conference 2016",,,,,,2016,Aug. "Mariko Anno","Noh Training Projects Overseas: Traditional and Contemporary Transmission Techniques","AAS-in-ASIA 2016",,,,,,2016,June "Mariko Anno","Planes Intersect: Music-Text Dialogues in English Noh","Musicological Society of Australia Conference 2015",,,,,,2015,Oct. "安納 真理子","国境を越えた英語能――その魅力と問題点――","新しいパースペクティブによる日本伝統音楽シリーズ","世界における日本の古典音楽――海外の目から見た――","日本音楽国際交流会",,,"pp. 26-29",2015,June "Kazue Sekine,Mariko Anno,Mari Saegusa,Fumiko Konoe","Szymon Goldberg Collection Catalog",,,,,,"pp. 1-266",2015,Mar. "Mariko Anno,Judy Halebsky","Innovation in N?: Matsui Akira Continues a Tradition of Change",,"Asian Theatre Journal","University of Hawai'i Press","Vol. 31","No. 1","pp. 126-152",2014, "安納 真理子","新作能の創作過程と「演劇化」――シアター能楽の英語能〈パゴダ〉を事例として――","東洋音楽学会大会",,,,,,2013,Nov. "安納 真理子","英語能の研究――シアター能楽の創作過程を中心に――","楽劇学会",,,,,,2012,May "安納 真理子","英語能の研究 ――シアター能楽の創作過程を中心に――",,,,,,,2012,Mar. "安納 真理子","新作能の音楽技法――能管を中心に――",,"融合文化研究",,"Vol. 16",,"pp. 10-19",2011,Apr. "安納 真理子","英語能にみる音楽的特色 ――構造と能管の旋律型を中心に――",,"東洋音楽研究",,"Vol. 75",,"pp. 21-38",2010,July "Mariko Anno","Nohkan and Teaching Methods: Influences of New Technology on Oral Transmission Today","International Forum for Young Musicologists 2010 in Yokohama","International Forum for Young Musicologists 2010 in Yokohama","International Forum for Young Musicologists",,,"pp. 172-182",2010,May "Akiko Miyake,Mariko Anno,Akemi Nishikawa","3面マルチ映像の能〈鉄輪〉",,,,,,,2010,Mar. "Mariko Anno","N?kan (N? Flute) and Oral Transmission: Cohesion and Musicality through Mnemonics",,"Asian Theatre Journal","University of Hawai'i Press","Vol. 27","No. 1","pp. 130-148",2010, "安納 真理子","新作能における音楽技法――能管を中心に――","楽劇学会",,,,,,2009,Oct. "安納 真理子","英語能の音楽研究――謡と囃子を中心に――","東洋音楽学会",,,,,,2009,Oct. "Mariko Anno","Nohkan (Noh Flute), Mnemonics, and Oral Transmission","Association for Asian Performance Conference",,,,,,2009,Aug. "Mariko Anno","Continuity of Tradition Today: The Nohkan Part in Adaptations of Yeats’ At the Hawk’s Well","Asian Studies Conference Japan",,,,,,2009,June "安納 真理子","新作能における音楽技法 ――能管を中心に ――",,,,,,,2009,Mar. "安納 真理子","新作能における音楽技法――能管を中心に――","東洋音楽学会",,,,,,2009,Mar. "Mariko Anno","Iss?-ry? Nohkan (Noh Flute): Tradition and Continuity in the Music of Noh Drama Nohkan (Noh Flute): Tradition and Continuity in the Music of Noh Drama Nohkan (Noh Flute): Tradition and Continuity in the Music of Noh Drama",,,,,,,2008,May "Mariko Anno","Hydroxymethylphenols: Intermediates for Synthesis of Substituted Aminotetralins",,,,,,,1998,May