@book{CTT100483112,
  author = {細川周平},
  title = {歌う民主主義},
  publisher = {ポピュラー音楽へのまなざし},
  year = 2003,
}

@book{CTT100462160,
  author = {Carolyn S. Stevens and Shuhei Hosokawa},
  title = {So Close and Yet So Far: Humanizing Celebrity in Japanese Music Variety Shows, 1960s-1990s},
  publisher = {Asian Media Productions},
  year = 2001,
}

@book{CTT100434315,
  author = {細川周平},
  title = {｢シネマ屋，ブラジルを行く　日系移民の郷愁とアイデンティティ｣},
  publisher = {新潮社},
  year = 1999,
}

@book{CTT100547021,
  author = {Toru Mitsui and SHUHEI HOSOKAWA},
  title = {Karaoke around the World. Global Technology, Local Singing},
  publisher = {Routledge},
  year = 1998,
}

@article{CTT100483114,
  author = {SHUHEI HOSOKAWA},
  title = {From Lima to Koza: Diamantes and the Blurred Identity of Okinawan-Peruvian Reverse Migrants},
  journal = {Musical Cultures of Latin America: Global Effects, Past and Present},
  year = 2003,
}

@article{CTT100462162,
  author = {細川周平},
  title = {あらかじめ失われた精子たちよ--山田風太郎の射精小説と性のユートピア},
  journal = {ユリイカ},
  year = 2002,
}

@article{CTT100466527,
  author = {SHUHEI HOSOKAWA},
  title = {Blacking Japanese:experiencing otherness from afar},
  journal = {Popular Music Studies, eds. by David Hesmondalgh & Keith Negus, Arnold},
  year = 2002,
}

@article{CTT100459046,
  author = {SHUHEI HOSOKAWA},
  title = {Singing Contest in the Ethnic Enclosure of the Post-war Japanese-Brazilian Community},
  journal = {British Journal of Ethnomusicology},
  year = 2000,
}

@article{CTT100434314,
  author = {Hosokawa and Sh.},
  title = {Nationalizing Cho<sup>-Cho</sup>-San : The Signification of ‘Butterfly Singers' in a Japanese-Brazilian community},
  journal = {Japanese Studies},
  year = 1999,
}

@article{CTT100434310,
  author = {Hosokawa and Sh.},
  title = {Soy Sauce Music ; Haruomi Hosono and Japanese Seif-Orientalism},
  journal = {in Philip Hayward (ed.) Widening the Horizon : Exoticism in Post-War Popular Music, John Libbey, Sydney},
  year = 1999,
}

@article{CTT100434309,
  author = {Hosokawa and Sh.},
  title = {Martin Denny and the Development of Musical Exotica},
  journal = {in philip Hayward (ed.) Windening the Horizon :  Exoticism in Post-war Popular Music, John Libbery, Sydney},
  year = 1999,
}

@article{CTT100434311,
  author = {Hosokawa and Sh.},
  title = {Okinawa Latina},
  journal = {la orquesta Diamantes y la errante identidad de los emigrantes nipo´n-peruanos, Antropoiogia, n},
  year = 1999,
}

@article{CTT100434312,
  author = {Hosokawa and Sh.},
  title = {Stricity Ballroom. The Rumba in Pre-World War Two Japan},
  journal = {Perfect Beat},
  year = 1999,
}

@article{CTT100434313,
  author = {Hosokawa and Sh.},
  title = {`Salsa no tiene frontera' : Orquesta de la Luz and the Globalization of Popular Music},
  journal = {Cultutal Studies},
  year = 1999,
}

@article{CTT100417962,
  author = {SHUHEI HOSOKAWA},
  title = {In Search of the Sound of Empire : Tanabe Hisao and the Foundation of Japanese Ethnomusicology},
  journal = {Japanese Studies},
  year = 1998,
}

@misc{CTT100595386,
  author = {SHUHEI HOSOKAWA},
  title = {複製技術時代における音楽の諸問題},
  year = 1990,
}



@phdthesis{CTT100595386,
  author = {SHUHEI HOSOKAWA},
  title = {複製技術時代における音楽の諸問題},
  school = {東京芸術大学},
  year = 1990,
}