@book{CTT100908311,
  author = {木内久美子},
  title = {あとがき},
  publisher = {未知谷},
  year = 2023,
}

@book{CTT100908312,
  author = {木内久美子},
  title = {ベケットのことば},
  publisher = {未知谷},
  year = 2023,
}

@book{CTT100863075,
  author = {Kumiko Kiuchi},
  title = {Why Is ‘Listener’ Named ‘Souvenant’? The Role of the Spectator in a Bilingual Reading of That Time/Cette fois},
  publisher = {Brill},
  year = 2021,
}

@book{CTT100833330,
  author = {Kumiko Kiuchi},
  title = {"Tweaking Misogyny or Misogyny Twisted: Beckett’s Take on “Aristotle and Phyllis” in Happy Days"},
  publisher = {Palgrave},
  year = 2020,
}

@book{CTT100685354,
  author = {Kumko Kiuchi and Kumiko Kiuchi},
  title = {“The Silence of Film and the Voice from the Spectral: Samuel Beckett, Buster Keaton and . . . ”},
  publisher = {Allardyce, Barnett, Publishers},
  year = 2013,
}

@book{CTT100685350,
  author = {木内久美子},
  title = {「演劇の〈今（maintenant）〉を転倒させること――サミュエル・ベケット『モノローグ一片』における〈捉まえる手（la main tenante）〉」},
  publisher = {水声社},
  year = 2012,
}

@book{CTT100685351,
  author = {Kumiko Kiuchi},
  title = {“Soseki Natsume, Kokoro”; “Albert Camus, The Rebel”; “Kenzaburo Oe, Pluck the Bud and Destroy the Offspring”; “Yukio Mishima, The Sea of Fertility”; “Haruki Murakami, After the Quake”},
  publisher = {},
  year = 2006,
}

@article{CTT100911236,
  author = {木内 久美子},
  title = {サミュエル・ベケット『演劇のためのスケッチⅡ』における固有名詞：自己翻訳から見たCの沈黙の意味},
  journal = {演劇研究},
  year = 2024,
}

@article{CTT100761481,
  author = {木内 久美子},
  title = {性差・位置関係・傍観・見世物性――サミュエル・ベケット『しあわせな日々』を「アリストテレスとピュリス」の図像から読み解く},
  journal = {FLS言語文化論集POLYPHONIA},
  year = 2018,
}

@article{CTT100754523,
  author = {Kumiko Kiuchi},
  title = {“Finding a Form for the Speechless: Samuel Beckett and Miwa Yanagi’s Zero Hour”},
  journal = {Samuel Beckett Today/Aujourd’hui},
  year = 2017,
}

@article{CTT100685352,
  author = {木内久美子},
  title = {「初期ベケットにおける「擬人化」の問題――「剽窃」の模倣の実践から「擬人化」批判へ」},
  journal = {『FLC言語文化論集 ポリフォニア』},
  year = 2014,
}

@article{CTT100685353,
  author = {Kumiko Kiuchi},
  title = {“Oxymoronic Perception and the Experience of Genre: Samuel Beckett’s Ghost Trio, . . . but the clouds . . . and Beyond”},
  journal = {Journal of Beckett Studies},
  year = 2009,
}

@article{CTT100685356,
  author = {木内久美子},
  title = {ベケットの『ゴドーを待ちながら』から『芝居』までにおける「ゲーム」と「遊戯」の概念},
  journal = {『演劇研究センター紀要』（早稲田大学）},
  year = 2007,
}

@article{CTT100685357,
  author = {木内久美子},
  title = {「自‐伝への抵抗：別のだれかの自‐伝としてのサミュエル・ベケット『伴侶』」},
  journal = {『超域文化科学 紀要』 （東京大学）},
  year = 2005,
}

@inproceedings{CTT100911237,
  author = {Kumiko Kiuchi},
  title = {“Patrick Keiller’s environmental turn in Robinson in Ruins (2010)”},
  booktitle = {},
  year = 2024,
}

@inproceedings{CTT100863076,
  author = {木内久美子},
  title = {「ベケットの自己翻訳における固有名詞の（非‐）等価性について： 『演劇のための下書きⅡ』を出発点に」},
  booktitle = {},
  year = 2021,
}

@inproceedings{CTT100761483,
  author = {木内 久美子},
  title = {1930年代から1960年代の映画にみる月島の「地政学」},
  booktitle = {},
  year = 2018,
}

@inproceedings{CTT100754526,
  author = {木内久美子},
  title = {「位置関係・運動・性差―「馬乗りアリストテレス」から『幸せな日々』を読む」},
  booktitle = {},
  year = 2017,
}

@inproceedings{CTT100754524,
  author = {Kumiko Kiuchi},
  title = {" Ask not 'do you belong to this landscape?' but 'does this landscape belong to you?' Patrick Keiller’s Robinson trilogy in translation"},
  booktitle = {},
  year = 2017,
}

@inproceedings{CTT100754525,
  author = {Kumiko Kiuchi},
  title = {"The Political (Un)conscious of Nostalgia in the Representation of Downtown Tokyo:  Changing Landscapes of Reclaimed Islands in Tokyo Bay in Modern Japan"},
  booktitle = {},
  year = 2017,
}

@inproceedings{CTT100754527,
  author = {Kumiko Kiuchi},
  title = {" Age, Posture, Sexuality: Reading Happy Days in the Light of “Aristotle and Phyllis”},
  booktitle = {},
  year = 2016,
}

@inproceedings{CTT100708522,
  author = {Kumiko Kiuchi},
  title = {“Beckett, a (Mis-)Reader: The Gesture of Ignorance and a Critique of Anthropomorphism in ‘Dante . . . Bruno . Vico . . Joyce’”},
  booktitle = {},
  year = 2011,
}

@inproceedings{CTT100685317,
  author = {Kumiko Kiuchi},
  title = {Reading is Perceiving?: Experiment with Genres and Genealogy of the Unreadable in Samuel Beckett’s Work},
  booktitle = {},
  year = 2008,
}

@inproceedings{CTT100685318,
  author = {Kumiko Kiuchi},
  title = {Beckett and Rousseau in Autobiographical Writing: Infancy as/in the Rhythm of Oblivion},
  booktitle = {},
  year = 2008,
}

@inproceedings{CTT100881025,
  author = {Kumiko Kiuchi},
  title = {Maddening the Folly – Beckett and a Genealogy of Folly},
  booktitle = {},
  year = 2007,
}

@inproceedings{CTT100881026,
  author = {Kumiko Kiuchi},
  title = {Dis-ordering the Order in Translation:Reading Samuel Beckett’s Molloy},
  booktitle = {},
  year = 2006,
}

@inproceedings{CTT100708518,
  author = {Kumiko Kiuchi},
  title = {“Translation as “rederre” – Reading Samuel Beckett’s Le Dépeupleur /The Lost Ones”},
  booktitle = {},
  year = ,
}

@inproceedings{CTT100708517,
  author = {Kumiko Kiuchi},
  title = {“Interdisciplinarity ‘In’ and ‘Of’ Literature – A Paradox of Literature as a Discipline”},
  booktitle = {},
  year = ,
}

@inproceedings{CTT100708519,
  author = {Kumiko Kiuchi},
  title = {“Time Travels, Memory Journeys, Writing Dwells in Literature: Reading Samuel Beckett’s Molloy”},
  booktitle = {},
  year = ,
}

@inproceedings{CTT100708521,
  author = {Kumiko Kiuchi},
  title = {A Preliminary Study on the “Aristotle and Phyllis” Figure in Samuel Beckett’s Waiting for Godot”},
  booktitle = {},
  year = ,
}

@inproceedings{CTT100708520,
  author = {Kumiko Kiuchi},
  title = {“What is “that” in That Time/Cette fois? --Spectralisation of the “Listener/Souvenant”},
  booktitle = {},
  year = ,
}

@misc{CTT100908310,
  author = {木内久美子},
  title = {序},
  year = 2023,
}

@misc{CTT100833329,
  author = {Kumiko Kiuchi},
  title = {Tokyo Ecology: Akabane Nature Observation Park},
  year = 2020,
}

@misc{CTT100708509,
  author = {Kumiko Kiuchi and Patrick Keiller},
  title = {“Interview with Patrick Keiller: Toward the Future of the Landscape”},
  year = 2015,
}

@misc{CTT100708505,
  author = {木内久美子編 and キーラー パトリック and マッシー ドリーン and 佐藤 元就 and 萩野 亮 and 東 志保},
  title = {時間のランドスケープス：パトリック・キーラー「ロビンソン三部作」},
  year = 2015,
}

@misc{CTT100708516,
  author = {木内久美子},
  title = {【書評】「川島健著『ベケットのアイルランド』（水声社、二〇一四年）」},
  year = 2015,
}

@misc{CTT100685358,
  author = {Kumiko Kiuchi},
  title = {“Hugo Azerad, ‘Parisian Literary Fields: James Joyce and Pierre Reverdy's Theory of the Image’”and others},
  year = 2015,
}

@misc{CTT100708515,
  author = {Kumiko Kiuchi},
  title = {Book Review: “Avital Ronell, The ÜberReader: Selected Works of Avital Ronell (Illinois: University of Illinois Press)” pp.386-390},
  year = 2008,
}

@misc{CTT100685355,
  author = {Kumiko Kiuchi},
  title = {Investigations into ”Game” and ”Play” in the Work of Samuel Beckett: Language-games, Grafting of Genres and the Spectre of Literature},
  year = 2009,
}



@phdthesis{CTT100685355,
  author = {Kumiko Kiuchi},
  title = {Investigations into ”Game” and ”Play” in the Work of Samuel Beckett: Language-games, Grafting of Genres and the Spectre of Literature},
  school = {イギリス　サセックス大学},
  year = 2009,
}