@book{CTT100811244,
  author = {Hugh de Ferranti},
  title = {Biwa’s Place in Modern Times},
  publisher = {},
  year = 2020,
}

@book{CTT100755009,
  author = {Hugh de Ferranti and Alison Isobel Rae Tokita},
  title = {Music, Modernity and Locality in Prewar Japan: Osaka and Beyond},
  publisher = {Ashgate Publishing},
  year = 2013,
}

@book{CTT100755007,
  author = {Hugh de Ferranti},
  title = {The Last Biwa Singer: A Blind Musician in History, Imagination and Performance},
  publisher = {Cornell University East Asia Series},
  year = 2009,
}

@book{CTT100755011,
  author = {Hugh de Ferranti and Yōko  Narazaki},
  title = {A Way a Lone: On the Music of Takemitsu},
  publisher = {Academia Music Ltd},
  year = 2002,
}

@book{CTT100755008,
  author = {Hugh de Ferranti},
  title = {Japanese Musical Instruments},
  publisher = {Oxford University Press},
  year = 2000,
}

@article{CTT100811249,
  author = {Hugh de Ferranti},
  title = {MUSIC AND A FORGOTTEN MINORITY – PRIMARY ACCOUNTS OF JAPANESE MAKING MUSIC IN PREWAR AND WARTIME REGIONAL AUSTRALIA},
  journal = {Tobunken Kiyo},
  year = 2019,
}

@inproceedings{CTT100698724,
  author = {Yusuke Otani and HAJIME MURAI and anwei liu and Hugh De Ferranti},
  title = {『琵琶新聞』のデータベース化と地域比較―両大戦期の東アジアにおける近代琵琶楽の展開と動向―},
  booktitle = {},
  year = 2015,
}